![]() The interface is color-coded with modules and graphical feedback, and there are dual filters with continuous series / parallel routing, classic filter types from V Collection instruments, and modern filter types. There’s also a third utility engine with an analog-style oscillator layer with five waveforms and six-octave range, as well as dual noise sample players with built-in sample library. You get two engines running in parallel with a choice of virtual analog triple osc engine, complex wavetable engine (with over 160 wavetables), sample and granular engine (including sample library), and harmonic oscillator additive engine. New functionality includes CrossMod, a distortion module with 16 algorithms, expanded comb filter, enhanced sample engine browser, Apple M1 compatibility, a streamlined UI, dozens of new wavetables, and 150 brand new factory presets.īut its feature set is expansive to say the least. Naturally, Pigments 3 is an improvement on its predecessors. Plaid thought there was “real detail and depth” to its sound, Mylo called it an analog-wavetable beast, and Mark Ayres referred to it as deep, old-fashioned, and modern. ![]() Another exciting development via Arturia, Pigments 3 is a polychrome software synth.
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